"Not so," the eager Poet said;
"At least, not so before I tell
The story of my Azrael,
An angel mortal as ourselves,
Which in an ancient tome I found
Upon a convent's dusty shelves,
Chained with an iron chain, and bound
In parchment, and with clasps of brass,
Lest from its prison, some dark day,
It might be stolen or steal away,
While the good friars were singing mass."
-Tales of the Wayside Inn, Henry Wadsworth Longfellow
Azrael doe not care for mortals. They are too ephemeral, too minor, to concern so universal being as herself. She refuses to create any Powers other than the one she always creates: the Power of Death, her personal, private Reaper. Any mortal she takes as a Power must necessarily become Immortal, for they cannot die without her permission, and thus they will not pass until she withdraws her Estate. Recently, one other mortal has acquired an Estate from Azrael: When Azrael came to claim Zee’s soul and guide her to the afterlife, Zee challenged her to a game in exchange for her soul and won, thus for the first time in centuries, Azrael has more than one Power.
Azrael makes her home in the Nemesis System, the hidden black star that orbits the Solar System at a great distance, whose pertubations send comets raining down into the inner system. The Nemesis System houses the Plaza of Bridges, the True Library, the Gaming Undeground, and Azrael’s Tomb.
It should be noted that though Azrael appears in female form, she does not refer to herself as female, but as “We,” and this current appearance is relatively recent, perhaps a reflection of taking on Zee, or in response to a prophecy in graphic novel form.
Azrael's flowers are Vervain (the Key of Something Powerful) and Oak (The Key of Something that Hasn't Changed)
Estate of Death
-Death ends things (2)-Death is terrifying (1)
-Death comes to all things (1)
-Death brings both grief and peace (1)
-All men are equal in death (1)
-Death leaves a corpse (and other evidences of its passing)
Domain Miracles of Death
- Finish off something that
doesn't matter. Frighten someone. Kill off someone who is on the
verge of death (Mercy killing). Speed the grieving process or help
someone get over an event. Inflict a surface wound with a little
bit of death.
- Know something about the
death of someone just by looking at the corpse. Talk to corpses or
ghosts.
- Make someone even more
frightened of their death. Bring death very swiftly from something
that could kill (a nick kills someone). Make the grieving process
intense and all-consuming. Make a death really easy to investigate,
or make a battlefield particularly messy.
- End someone's life
instantly. Conjure up the fear/specter of death for nothing. End
something immediately (such as a fight).
- Know how someone will
die. See moments that surround future deaths or funerals. Ask the
dead generally useful questions. Prevent someone's death, or
prevent the end of something. End the grieving process for someone
(but prevents them from moving on). Remove someone's fear (or their
fear of death). Remove a corpse or evidence of a death. Animate
the dead.
- Change how someone is
destined to die, the hour or the form of death. Ensure that death
can come even to the immortal. Make something more lethal on a
wide-scale (paper-cuts can kill, in San-Francisco)
- Kill everyone in a city
or a region. Kill an immortal. End a vast movement or principle,
such as “killing a civilization,” or “the Death of Punk.”
- Prevent the death of
everyone in a vast region. Remove the fear of death from a huge
portion of the populace, or ensure that someone never fears death
again. Make someone immortal (so that they will never die).
- Chart the deaths of large
scale things, such as when and how the American way of life will
die. Shape someone's destined death to a ridiculous scale, in a way
that ensures that they will end up somewhere (“You are destined to
die during the colonization of mars”). Shape how an immortal is
destined to die. Animate an army of the dead. Bring the dead back to
life.
Persona Miracles of Death
- Make someone a little
spooky. Make someone a little corpse-like. Make people a little
more equal. Make someone leave additional evidence of their
passing.
- Become any corpse. Be
present at the moment of anyone's death.
- Make yourself terrifying.
Bring yourself to anyone. Make yourself the equal of others.
Leave more evidence of your passing.
- Make someone else
terrifying. Bring someone to you. Turn someone into a corpse-like
creature. Make someone your equal, or the equal of others.
- Become present in any
corpse, at all possible deaths. Make a corpse appear fresh and
alive. Make someone not particularly scary. Create inequality
between people.
- Make someone undead or a
ghost or a reaper (“Guardian of Death”). Make death follow
someone and kill those around them. Teleport to someone from across
the world. Make even the whisper of your name terrifying. Make
yourself the equal of immortals.
- Teleport someone from
across the world. Make someone epically terrifying. Make someone
the equal of immortals.
- Prevent a nation from
grieving. Prevent a genetic lineage from even leaving a corpse,
ghost or any other sign of passing.
- Make someone a local death god. Tuck a city/nation away into the world of the dead, as a salvation for the passing dead, with a cult of reapers to protect them.
Estate of Games
-Games have winners and losers (1)-Games are governed by rules (2)
-Games always have an element of uncertainty (1)
-Games are fun! (2)
-Games challenge their players (1)
Domain Miracles of Games
- Make a situation a little more fun, a little more abitrary, or a little more chancey.
- Know the rules to any game, even abstract “head games.” Know where the nearest game is. Find a specific game.
- Make a game last longer. Make a gamer harder to win, or make a game even chancier than usual. Enforce fair play.
- Declare that events are “really” a game (fun, governed by rules, chancy). Create a new game out of nothing. Create a new player out of nothing.
- Declare that a game is boring, or nonsensical, or its ending already known. Excise players from the game. Remove rules from a game. Learn something about the larger world or the future by playing a game.
- Shape a game's destiny so it is bound to encounter a particular person. Shape the results of a particular game (who will win, who will lose, what the outcome will be). Transport a game from one culture to another (“Monopoly has always been Japanese”). Redefine the rules of a game. Shape a specific game (as in, a particular copy) so that it can grant special powers to its winners. Make it so a person is destined to win or lose a particular game (or all games).
- Create an entire line of games or a franchise out of nothing. Create gamers out of nothing. Declare a vast set of ongoing events are a game and follow the rules of games (such as a war), making them largely fun, fair, etc.
- Wipe out games from an entire region.
- Make a specific game deeply important to a religion or a nation. Make gaming sacred in a city (like Vegas or Monte Carlo or Tokyo). Make the result of a particular game something like gaining magic powers (“Those who manage to finish Amnesia: the Dark Descent can become immortal”). Manipulate the rules of war, or the rules of etiquette, changing a game on a large, metaphorical sense. Declare someone a winner or a loser of something more abstract (like a game of love, or a war)
Persona Miracles of Games
- Make someone slightly more fun to hang around, or force them to follow one particular rule, or conjure a random set of events for them that irritate or amuse them.
- Be present in any game. Show up inside of a video game. Suddenly turn up at any gaming table.
- Make yourself fun to be around. Surround yourself with uncertainty. Declare particular rules apply to you. Become a character from a game. Follow the rules of a particular game.
- Create a geas for someone, a rule that they are required to follow. Declare a particular element of someone's character as uncertain. Declare someone fun! Turn them into a character from a game (not making them a specific character, but giving them qualities like someone from that game).
- Make someone dreadfully boring. Remove the rules that govern a person's life (such as the rule that gravity affects them). Remove an uncertainty of their character. Make a video game character real by kicking them out of the game. Kick people out of games.
- Make someone a “true gamer” giving them a deep connection and/or skill with games. Make someone the denizen of a game, bound to that particular franchise or lost within the game. Allow a video game character to interact with the real world. Connect video games and the real world via a portal. Become an extraordinarily powerful character from a game. Follow extremely powerful rules (such as immortality, or admin-rights to a city's world-space)
- Turn entire cities into video-game like spaces, or turn everyone around you into a game-like qualities. Make a region fun, or follow arbitrary rules, or fill it with chance.
- Make someone an enormously powerful denizen of a game. Make a permanent, region-wide connection between game and world, creating a cultural connection between the two.
Estate of the Void
-The Void is the space where something could be (2)-The Void hungers to be filled (2)
-The Void is home to very strange things (1)
-The Void is without form, substance or qualities (2)
Domain Miracles of the Void
- Expand space a little,
making something a little farther away. Draw things together. Show
a glimpse into the weird. Create a blast of wind/shrapnel from a
sudden void-pulse that causes surface wounds.
- Know a creature of the
void just by looking at them. Know the distance between things.
Sense a nearby void.
- Make the pull of an
emptiness very intense (or the strength of an implosion very great).
Make the things within a void even stranger. Make a void last
longer than it naturally would.
- Create a vast,
suffocating emptiness that threatens to kill everyone in it (local
only, but often has an area effect). Creating a vast emptiness
where someone was is a Deadly wound, creating a vast emptiness
around everyone is a area-scope Serious wound. Summon creatures
from the void.
- Fill an emptiness with...
something logical (closing bullet wounds, for example, or filling a
room with air). Allow a void to have form, quality or substance
(but you cannot define what it is). Learn something from spending
time in an empty space, by listening to silence, by staring at the
darkness between stars.
- Change what strange
creatures live in a particular, local void. Change what is destined
to occur within a particular void. Transport a particular bit of
space/emptiness to another place. Create a gulf between two people
emotionally. Fill someone's heart with emptiness.
- Summon vast armies of
unnatural creatures. Erase a city or a vast chuck of landside or a
mountain. Create a world-shattering implosion.
- Create a planet out of
nothing (filling a vast with void with something. Cannot define the
planet). Give a vast area of space (such as the solar system) a
particular unique quality (such as ether, or space-warping
capabilities)
- Change the destiny of a
vast area of space's destiny (“The home of the Arquillian
empire!”).
Persona Miracles of the Void
- Make someone feel a
little empty inside, or a little hungry, or space out a little, or
attract weird things to them.
- Be present in any void.
- Make yourself filled with
strange monstrosities. Make yourself hunger greatly and able to
devour nearly anything. Remove some specific form or substance from
yourself (“I am without that specific substance”) such as
purging yourself of poison, or removing your eye color, or removing
defining elements about you.. Be insubstantial.
- Make a hideous monster
erupt from someone (likely killing them). Make someone feel empty
and a great yearning to be filled (physically or emotionally).
Remove undesired qualities from someone. Make someone a place where
something else can be, allowing them to be insubstantial.
- End someone's hunger.
Give someone qualities or fill them with substances they did not
have before (though you cannot define them). Become one with the
space of the Solar System.
- Make someone a bizarre
denizen of the void. Give someone the ability to survive, even
thrive, in a void. Become able to spill out great armies of monster.
Become able to devour mountains, or even worlds, to fill your
endless hunger. Remove emotional or abstract qualities from
yourself.
- As 6, but to others.
- End hunger across the
world. Give everyone in a city undefined/uncontrolled qualities.
- Make someone a god of the
Void. Make a city a denizen of the void.
Additional Estates
Estate of Truth
- Truth shows the world for what it really is
- Truth hurts
- Truth will set you free
- You can't handle the Truth
- Truth requires wisdom and sacrifice to uncover
Estate of Bridges
- Bridges allow you to go from one place to another, unconnected place
- Bridges carry you over obstacles
- Bridges grant power to those who control them
<=========================Spoilers=========================>
Aspect 0 (Mortal)
Domain Death 1 (3)
Domain Bridges 1 (1)
Persona (Death) 3 (9)
Persona (Truth) 3 (3)
Treasure 0
Miracle Points: 8
Common Gifts: Immortal (6), Flying (1), Glorious (2)
Gifts:
- Death Aura (2): Automatically
kills anyone in Azraels vicinity (Generally inflicts a Deadly Wound,
but only a serious wound on Durant powers, and might inflict a
Surface wound on an immortal with a miracle point) provided she
wishes them dead. Sometimes happens automatically, especially if
doing so would protect her (even just her dignity)
Passions and Skills
Passion: “I will win the Excrucian War” +2Passion: “We must all follow the rules” +1
Superior Quality: Destroyer of Worlds +4
Superior Quality: Speaker of Truth +1
Shine +3
Bonds and Afflictions ()
Bond: I will fulfill my duty to Heaven and Lord Entropy (5)Bond: None may know my secret (Shadow) (2)
Bond: I always honor my word (Zee) (3)
Bond: I will protect my Reaper (Deadwood) (2)
Affliction: Mere Mortals cannot comprehend me (1)
Affliction: I have no shadow (Divine Wound) (5)
Additional Background
Azrael and Lord Entropy led a warparty against the dread Strategist, Vermifex Dremmerick, the Dark-Eyed Levtiathan, who was then attended by Cameron Delacroix. The Vermifex had already corrupted a world with his corrosive presence. Rather than attempt to rescue it, Azrael wrought apocalypse upon the world and forged it into an abhorrent weapon and used it to strip the dark-eyed leviathan of his immortality and killed him with the shards of that dead world. Before Lord Entropy dealt the death-blow, Azrael spoke an Imperial Miracle and created the riddle of Dremmerick: "What must exist to cease to exist?" and answered the riddle thus: The Vermifex Dremmerick. Thus, she pinned his corpse to creation, hovering between a state of existence and non-existence, unable to live, but unable to escape and reincarnate. In so doing, Azrael violated her own estate and ripped open a wound in the world.This paradox left Azrael vulnerable, and Cameron used the unconquerable edge of True Love to wound Azrael, stealing away her shadow and the Estate of the Void. In her wounded state, she fled without seeing the crawling wound of the paradox left by her riddle, which manifested as the Arch-Hipster.
To prevent anyone from tampering with the riddle or the now nameless world that holds the Vermifex pinned against the world tree, Lord Entropy decreed that none should speak the Riddle of Dremmerick as an Imperial Miracle. Together, they have worked to scrub out the truth of that battle. Azrael fears that someone might undo her work, and Lord Entropy's reasons are his own, though some whisper that he lies about the state of the War, which the World Tree is slowly losing.
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