Showing posts with label Shinjurai. Show all posts
Showing posts with label Shinjurai. Show all posts

Wednesday, October 7, 2020

Psi-Wars Gun Fu: the Ten-Thousand Battle Kata: Combat Geometrics and Shineido


Back when I started working on the Frontier Marshal's update, I realized I needed to work on the Way of the Rim, and if I was going to work on the Way of the Rim, I needed to work on the other Blaster styles in conjunction, so I could define some niches.  And no blaster style attracts more interest from the community than Gun Kata Shineido, the blaster art of the royal guard of the Shinjurai Royal family.  Thus, I had to take my time with it and get it right.  And so, it will complete our exploration of Gun Fu in Psi-Wars, at least for now.

You can find them here

Saturday, October 5, 2019

Wiki Showcase: Aristocratic Lens - The Shinjurai Royal Family

All this week, I've been showcasing the aristocratic background lenses that came in second.  Today, I can show you what came in first: the Shinjurai Royal Family. You can check them out here.

I was pleasantly surprised to see them top the list, though doubtless Mina Shinjurai (who appeared in Tinker Titan Rebel Spy) and the artwork for the Shinjurai Princess helped feed interest.  To me, most of the other aristocrats are fairly obvious outgrowths of what we already know about the setting: we know there is nobility and maradonian aristocracy, and we know there are imperials, and we know there are Ranathim (who presumably have their own aristocracy), but I don't talk too much about the Shinjurai except to discuss them in passing in Neo-Rationalism, so it was interesting to have a chance to explore this fairly unique element of the setting.

One feedback I got early from the Disciples was "Why so much detail?"  The argument wasn't that it was "too much" (when I came back with even more detail, nobody shot it down), rather, why have the Shinjurai at all?  They're just the royalty of a single planet, on par with the Pelian nobility or some Asrathi lord.  Why go into so much detail?

Well, there's a few reasons.  First, as I discussed in my setting design manifesto, settings should be fractal, and doing at least three of every fractal thing creates a real sense of choice.  And so, humanity has been split into three: the Maradonian branch, who act as "space fantasy" and act as the de facto rulers of the setting, the Westerly branch, who act as the "space Westerns" with their cowboys and their "Native Americans," their asteroid miners and their ancient tribal practices.  Together, we can see "high society" and "barbaric hinterlands."  The Shinjurai represent the "Third way," the "space as science fiction" element of the setting.  The Westerly are too fragmented to offer a single, cohesive aristocracy; if they "ruled the Galaxy," they would do it as a thousand little domains.  The Shinjurai, by contrast, represent a real alternative to the Maradonian way for galaxy-spanning dominion, as they ruled the Galaxy once before Alexus Rex, and the modern Valorian Empire, who at least gives lip service to their philosophies.

The Shinjurai royal family represent one linchpin for this sense of unity.  They are a single thing that all Shinjurai across the Galaxy can point to and say "We believe in that," similar to how Australians, Canadians, and all other members of the British Commonwealth can point to the British Royal Family.  They're a symbol of unity among a disunited people, and a symbol of hope that, perhaps, in the future, they could rise to their former place.

This gives them, to me at least, an interesting tension.  They are, in the eyes of many, the people who should be the most powerful people in the Galaxy, but they are some of the least powerful of all the aristocrats shown thus far.  They don't have secret occult oaths, or the legacy of a millennia of psychic engineering.  They have only tradition and knowledge.  They use their soft power to achieve their ends, while being held hostage by the Maradonian nobility and their own people.  They represent a repudiation of Maradonian aristocracy that, themselves, attend the courts and senates of the Maradonian Alliance.  They are chained kings, or bound princesses, if you will.

I also think it's important to have a "dark horse" in your setting.  A setting should have obvious high-points. In Psi-Wars, that's the Empire vs the Alliance, Templars vs Tyrants.  You know about princesses and space knights and commandos and fighter aces, and that's fine.  A setting should have these.  But there should also be something that rewards the player that digs a little deeper, something that's not actually part of the primary struggle of the setting, but still very interesting.  In Star Wars, this might be the Mandalorians or the Nightsisters; in Warhammer 40k, that might be the Tau. In Psi-Wars, this is exemplified by the Shinjurai, who bring an entirely different vibe with them, but one that still fits in the larger themes of the setting.  So, if you want to play as something a little different in Psi-Wars, the Shinjurai offer an interesting option for it.

Friday, September 27, 2019

Shinjurai Royalty

Shinjurai Princess
Art by Kriz Villacis,
Design by Desiree Theunissen
Copyright Daniel Dover
Last week I revealed the Mithanna, the Ranathim aristocracy, which was the second most voted for group of aristocrats that my readers wanted to see given a special treatment.  The first most voted for was the Shinjurai Royal Family.

This took me awhile to write, and I won't be giving every example of aristocracy in the Psi-Wars galaxy such an indepth treatise.  The intent behind the Maradonian nobles, the Shinjurai royal family, and the Ranathim Peerage is to give worked examples to you, dear reader, from which to draw inspiration for your own nobility, as well as giving you multiple flavors of nobility to play with in your games of high politics and dreadful social scandal.

The Shinjurai nicely contrast with the Ranathim or the Maradonian aristocracy because they're not psychic or empowered to be above everyone else through the authority of their bloodline.  Rather, like modern monarchies, their power tends to be one of symbolic legitimacy, as they blur the line between celebrity and governance.  They also represent a major element of the setting that doesn't see much discussion: the more technologically savvy branch of humanity, the Shinjurai and their Neo-Rationalism.


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